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Sinopse

FITEI 2024 at TMP

Manuel Tur

A nossa última manhã aqui

May

2024

premiere

Fri
24
Sat
25

Sinopse

I'm the grandson of returnees. And I'm the grandson of the Carnation Revolution - although it was never mentioned in my grandparents' house. I had never heard that "the forty-eight years of the most infamous night had come to an end". There was never any talk of 25 April at my grandparents' dinner table. Of the Freedom Day. (…) In their house (which was also mine), at their table, the word "colonialism" never came up. Not because it was avoided, but because it wasn't a topic. It was in their house, I don't think from their mouths, that I heard that "our misfortune was the good fortune of many". It was said and not contradicted. "You can't say we're racist. We are not. Black people sleep in our house. And we pay them!" I never questioned it. This is the beginning of my work, which begins with an exhaustive search for all textual, physical and audio documentation of my family's past. I've long been interested in and unsettled by the boundaries between the real, the documentary and the fictional. And this is a desire to deeply reflect on racism, on illusion, on what many people considered to be Portugal's golden age. — Manuel Tur

theatre

© DR

Info sobre horário e bilhetes

Fri

24.05

19:00

Sat

25.05

17:00

21:30

Campo AlegreStage Auditorium

tickets

Aditional info

  • Price 
    7€
  • Duration 
    1h15

  • Age rating 
    14+

Acessibilidades do espetáculo

More limited access
Text

Author's bio text

Ficha Técnica

  • Directed and performed by
    Manuel Tur

    Project support
    Belisa Branças

    Dramaturgical support
    Luís Araújo

    Set design
    Ana Gormicho

    Lighting design
    Cárin Geada

  • Scene photography (Process)
    João Roldão

    Video registration
    Mosca

    Supported by
    Casa Brava

    Produced by
    11Zero2

    Collaborators
    Maria Eduarda Duarte, Paulo Ribeiro da Silva, Cátia Vilaça e Peter Castro
    (research support); Bernardo Gavina, Carolina Rocha, Rita Ramos, Adriana Frasco e Catarina Vilaça (support in transcribing archive material); Lúcia Matos (archive support); Joel Azevedo e Tânia Dinis (tehcnical support); Fernando Costa (video support); Dulce Maria Cardoso, Isabela Figueiredo (text); Bernardo Fortuna (project file)

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