CCN – Ballet de Lorraine
Acid Gems + Static Shot
February
2024
National premiere
Fri
23
Sat
24
Sinopse
Acid Gems
Together with the dancers of the CCN Ballet de Lorraine, Adam Linder continues his research into hybrid forms of dance, treating these rare physical evolutions like precious jewels. Of particular interest is how the vocabulary of ballet can adapt its DNA by absorbing influences that are street-related, somatic and theatrical. Acid Gems looks to Balanchine’s Jewels for inspiration, updating Balanchine’s idea of imbuing (balletic) forms with the qualities of gem stones: the multiple facets, processes of crystallization and radiance. The result is a high-spirited, kaleidoscopic piece set in a powerful visual landscape.
Static Shot
I envisage a very specific scenic device, situated between choreographic piece, scenic installation and cinematographic device. The dramaturgy of the piece, conceived as a block of bodies, images and sounds, will have no beginning, middle or end. Like a permanent climax, the group of dancers will maintain this peak moment together with energy always needing to be held at its zenith. So how to envision the questions of shared tension, ecstasy, and enjoyment? And what about relaxation, breath, or loss? What if pleasure becomes a motive for tension? The piece’s dynamics – ranging from mezzo forte to fortississimo – will make this piece a permanent crescendo, inviting the spectators to participate in never-ending ecstasy.
Together with the dancers of the CCN Ballet de Lorraine, Adam Linder continues his research into hybrid forms of dance, treating these rare physical evolutions like precious jewels. Of particular interest is how the vocabulary of ballet can adapt its DNA by absorbing influences that are street-related, somatic and theatrical. Acid Gems looks to Balanchine’s Jewels for inspiration, updating Balanchine’s idea of imbuing (balletic) forms with the qualities of gem stones: the multiple facets, processes of crystallization and radiance. The result is a high-spirited, kaleidoscopic piece set in a powerful visual landscape.
Static Shot
I envisage a very specific scenic device, situated between choreographic piece, scenic installation and cinematographic device. The dramaturgy of the piece, conceived as a block of bodies, images and sounds, will have no beginning, middle or end. Like a permanent climax, the group of dancers will maintain this peak moment together with energy always needing to be held at its zenith. So how to envision the questions of shared tension, ecstasy, and enjoyment? And what about relaxation, breath, or loss? What if pleasure becomes a motive for tension? The piece’s dynamics – ranging from mezzo forte to fortississimo – will make this piece a permanent crescendo, inviting the spectators to participate in never-ending ecstasy.
bodies
choreographies
kaleidoscope
Aditional info
- Price
12€
-
Duration
30min + 25min (with 20min intermission)
- Age rating
12+
Acessibilidades do espetáculo
Accessible to wheelchair users
No text
Strobe or intense lights
Author's bio text
Together with the dancers of the CCN Ballet de Lorraine, Adam Linder continues his research into hybrid forms of dance, treating these rare physical evolutions like precious jewels. Of particular interest is how the vocabulary of ballet can adapt its DNA by absorbing influences that are street-related, somatic and theatrical. Acid Gems looks to Balanchine’s Jewels for inspiration, updating Balanchine’s idea of imbuing (balletic) forms with the qualities of gem stones: the multiple facets, processes of crystallization and radiance. The result is a high-spirited, kaleidoscopic piece set in a powerful visual landscape. — CCN Ballet de Lorraine
Adam Linder was born in 1983 in Sydney, Australia. He is based in Berlin. Linder’s practice focuses on the specifics of dance and how different forms or genres relate to notions of technology, desire, value and power. Linder’s early training at Royal Ballet School in London was later consolidated during formative years spent with The Michael Clark Company and Meg Stuart’s Damaged Goods where he began to develop the critical and experimental strands that inform his choreographic work. His extensive embodiment of multiple forms of dance informs the virtuosic nature of his choreographic handwriting. In the visual art context, Linder gained recognition with his Choreographic Services (2013-ongoing), a series of performative works that can be hired on an hourly basis. Linder is currently preparing a solo show at MCA/ Museum of Contemporary Art Australia in Sydney, Australia to open in 2023.
Following her studies at the National Choreographic Center of Montpellier, Maud Le Pladec danced for choreographers such as Georges Appaix, Loïc Touzé, Mathilde Monnier, Mette Ingvartsen, and Boris Charmatz. In January 2017, she succeeded Josef Nadj as director of the National Choreographic Center of Orleans, where she has since premiered Borderline with the stage director Guy Cassiers, Je n’ai jamais eu envie de disparaître with the writer Pierre Ducrozet, the solo Moto-Cross, and Twenty-seven perspectives for the 2018 Festival Montpellier Danse. In 2021, she presented Static Shot with the CCN - Ballet de Lorraine, and counting stars with you (musiques femmes), a creation dedicated to women composers in the musical heritage. Her next creation for 2022, Silent Legacy, will be a duo between 8-year-old krump prodigy Adeline Kerry Cruz and professional contemporary dancer Audrey Merilus.
Adam Linder was born in 1983 in Sydney, Australia. He is based in Berlin. Linder’s practice focuses on the specifics of dance and how different forms or genres relate to notions of technology, desire, value and power. Linder’s early training at Royal Ballet School in London was later consolidated during formative years spent with The Michael Clark Company and Meg Stuart’s Damaged Goods where he began to develop the critical and experimental strands that inform his choreographic work. His extensive embodiment of multiple forms of dance informs the virtuosic nature of his choreographic handwriting. In the visual art context, Linder gained recognition with his Choreographic Services (2013-ongoing), a series of performative works that can be hired on an hourly basis. Linder is currently preparing a solo show at MCA/ Museum of Contemporary Art Australia in Sydney, Australia to open in 2023.
Following her studies at the National Choreographic Center of Montpellier, Maud Le Pladec danced for choreographers such as Georges Appaix, Loïc Touzé, Mathilde Monnier, Mette Ingvartsen, and Boris Charmatz. In January 2017, she succeeded Josef Nadj as director of the National Choreographic Center of Orleans, where she has since premiered Borderline with the stage director Guy Cassiers, Je n’ai jamais eu envie de disparaître with the writer Pierre Ducrozet, the solo Moto-Cross, and Twenty-seven perspectives for the 2018 Festival Montpellier Danse. In 2021, she presented Static Shot with the CCN - Ballet de Lorraine, and counting stars with you (musiques femmes), a creation dedicated to women composers in the musical heritage. Her next creation for 2022, Silent Legacy, will be a duo between 8-year-old krump prodigy Adeline Kerry Cruz and professional contemporary dancer Audrey Merilus.
Ficha Técnica
- Acid Gems
Choreography
Adam Linder
Original music
Billy Bultheel
Lighting
Shahryar Nashat
Lighting assistant
Olivier Bauer
Costumes
Antonin Tron with the Atelier costume department of the CCN - Ballet de Lorraine
Choreographic assistants
Delphine Gaborit, Doug Letheren
Rehearsals
Valérie Ferrando
- Static Shot
Conception and choreography
Maud le Pladec
Music
Pete Harden, Chloé Thévenin
Lights
Eric Soyer
Costumes creation and realization
Christelle Kocher – KOCHÉ
Costumes assistant
Laure Mahéo
Choreographic assistant
Régis Badel
Dramaturgy assistant
Baudouin Woehl
With the participation of the
Embroidery section of College Lapie (Lunéville)
Co-produced by
CCN d’Orléans