Make Trouble
Jaha Koo / CAMPO
Haribo Kimchi
March
2025
national premiere
Thu
13
Fri
14
Sinopse
In Haribo Kimchi, we find ourselves in a pojangmacha, one of the typical late-night snack bars found on the streets of South Korea. In a series of intimate, absurdist anecdotes, Jaha Koo takes us on a culinary journey for those dislocated from their culture. — Jaha Koo
immigration
gastronomy
cultures
© Bea Borgers
© Bea Borgers
© Bea Borgers
© Bea Borgers
Aditional info
- Price
7€
-
Duration
1h10
- Age rating
To be defined by CCE
- Additional information
Spoken in Korean and English with subtitles in Portuguese and English
Acessibilidades do espetáculo
Accessible to wheelchair users
Text
Subtitling
Author's bio text
Jaha Koo (he/him) is a South Korean theatre/performance maker, music composer and videographer. His artistic practice oscillates between multimedia and performance, encompassing his own music, video, text, and robotic objects. His most recent project, the Hamartia Trilogy, includes Lolling and Rolling (2015), Cuckoo (2017), and The History of Korean Western Theatre (2020). The trilogy represents a long-term exploration of the political landscape, colonial history and cultural identity of East Asia. Thematically, it focuses on structural issues in Korean society and how the inescapable past tragically affects our lives today. Koo majored in theatre studies (2011) at Korea National University of Arts and earned a master's degree (2016) at DAS Theatre in Amsterdam.
Ficha Técnica
- Concept, text, direction, music, sound, video
Jaha Koo
Performance
Gona, Haribo, Eel, Jaha Koo and two guests
Dramaturgy
Dries Douibi
Scenography, research collaboration and media operation
Eunkyung Jeong
Artistic advice
Pol Heyvaert
Technical coordination
Korneel Coessens
Technique
Bart Huybrechts, Babette Poncelet, Jasse Vergauwe
Production coordination
Wim Clapdorp Englis
- Proofreading
Jason Wrubell
Snail animation
Vincent Lynen
Production
CAMPO
Coproduction
Kunstenfestivaldesarts, Rideau de Bruxelles, Theater Utrecht, SPRING, Festival d’Automne à Paris, Théâtre de la Bastille, Tangente St. Pölten – Festival für Gegenwartskultur, & Espoo Theatre, Internationale Sommerfestival Kampnagel, Sophiensaele, Meet You Festival, Bunker, National Theatre and Concert Hall Taipei, Boska Komedia / Teatr ?a?nia Nowa & Perpodium
Support of the
Tax Shelter of the Belgian Federal Government via Cronos Invest & the Flemish Government
The prototype of the eel was developed as part of Innovation:Lab's funnel in co-production with Theater Utrecht and creative technologists Adriaan Wormgoor and Willem Vooijs.
