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Sinopse

FIMP 2024 at TMP

Masterclass Audience guidance, agency & bewilderment with Kate McIntosh

Within the scope of In many hands

October

2024

Sun
20

Sinopse

This masterclass explores immersive performances, and how to bodily engage audiences. We start by looking at some of Kate McIntosh’s previous works, which propose tactile and social encounters between strangers. We discuss the ethics, possibilities and pitfalls of audience interaction - thinking about agency and autonomy, transgression, exposure, implicit and explicit instructions, refusal, and sensorial situations. After our conversation, workshop participants imagine and discuss their own immersive proposals. This workshop is good for anyone who’s making performances (or curious about that process) and anyone exploring relationships with audiences. It’s also good for those who are curious about how works like In Many Hands?(2016) and?Lake Life (2023) and Worktable?(2011) were made.
Scene photograph in colour. Several people sitting at a table with their hands resting on the table and their faces turned towards Kate McIntosh sitting at the head of the table.

© Dirk Rose

Info sobre horário e bilhetes

Sun

20.10

12:00

Campo AlegreCafé-Teatro

Aditional info

  • Price 
    Free
  • Duration
    2h
  • Age rating
    18+
  • Target
    Puppeteers, performers, visual artists, performing arts students and other areas
  • Registrations
    fimp.pt
  • Additional information
    Spoken in English

Acessibilidades do espetáculo

Accessible to wheelchair users
Text

Author's bio text

Kate McIntosh (1974), originally from Aotearoa, New Zealand, is a Brussels-based artist who practices across the boundaries of performance, theatre, video and installation. Her works often focus on the physicality of both performer and audience, the manipulation of objects and materials, and the development of direct relations with and between audience members. Kate's practice is guided by her ongoing fascination with the misuse of objects, playfulness with the public, a love of theatrical images and unruly humour. Kate is also a founding member of SPIN, a practice-centred production and research platform in Brussels.

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