A TRIBUTE TO RAIMUND HOGHE
12/03 & 13/03/22
A tribute to Raimund Hoghe.
The unexpected death of German choreographer Raimund Hoghe on May 14, 2021, made us come up with a special tribute programme in partnership with four other European theatres that were his accomplices. In a single performance, several of his dancers—many of whom the people from Porto watched performing in Quartet, An Evening with Judy, Momentos of Young People, La Valse [The Waltz], Postcards from Vietnam and Canzone per Ornella at Teatro Rivoli and also 36, Avenue Mandel, at Fundação de Serralves—get together on stage and dance to remember several scenes from his works. A tribute that includes a series of other activities that will remind us of an artist who truly liked Porto and was very cherished by its people whenever he returned to us.
His performances’ beautiful soundtracks (with the tea he always had to have to go along), a series of postcards with images from his performances and another edition of História(s) da Dança [History(ies) of Dance] complement this tribute to the choreographer whom we’ve always followed and who was always with us.
A tribute to Raimund Hoghe.
The unexpected death of German choreographer Raimund Hoghe on May 14, 2021, made us come up with a special tribute programme in partnership with four other European theatres that were his accomplices. In a single performance, several of his dancers—many of whom the people from Porto watched performing in Quartet, An Evening with Judy, Momentos of Young People, La Valse [The Waltz], Postcards from Vietnam and Canzone per Ornella at Teatro Rivoli and also 36, Avenue Mandel, at Fundação de Serralves—get together on stage and dance to remember several scenes from his works. A tribute that includes a series of other activities that will remind us of an artist who truly liked Porto and was very cherished by its people whenever he returned to us.
His performances’ beautiful soundtracks (with the tea he always had to have to go along), a series of postcards with images from his performances and another edition of História(s) da Dança [History(ies) of Dance] complement this tribute to the choreographer whom we’ve always followed and who was always with us.
