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Sinopse

DDD 2024 at TMP

Amanda Piña

Exotica

May

2024

national premiere

Sat
4
Sun
5

Sinopse

In early 20th century Europe, artists La Sarabia, Nyota Inyoka, François Benga and Leila Bederkhan presented their dances with great success. Amanda Piña breathes new life into their works with Exotica, tracing back the heritage of racialized artists performing in European theatre stages and what she refers as “the brown history of European dance”. Exotica is an exuberant ritual conceived as a séance through which dancers as ancestors, queer and femmes of color from the past and the present re-appear on stage and come into conversation with the gaze and the ancestry of the audience. Their performative presence opens a space for reenactments, initiating invocations, exorcisms and celebration. — Amanda Piña

dialogue

ancestry

temporalities

queer

legacy

© DR

© DR

© DR

© Tammo Walter

Info sobre horário e bilhetes

Sat

4.05

21:30

Sun

5.05

19:30

Campo AlegreAuditorium

tickets

Aditional info

  • Price 
    12€
  • Duration 
    1h30

  • Age rating 
    12+
  • Informação adicional 
    Text in English with subtitles in Portuguese

Acessibilidades do espetáculo

Accessible to wheelchair users
Accessible to wheelchair users
Text
Subtitling

Author's bio text

Amanda Piña is a Chilean-Mexican-Austrian artist living between Vienna and Mexico City. Of mixed ancestry, she has Spanish, Mapuche and Lebanese (Syrian-Palestinian) roots. Her work embodies the political and social power of movement, grounded in indigenous forms of knowledge and world-making/maintaining practices. Piña is a multifaceted artist working through choreographic and dance research, creating and curating educational frameworks, writing and editing publications around what she refers to as “endangered human movement practices”.  

Ficha Técnica

  • Artistic direction
    Amanda Piña

    Choreographic research
    Ángela Muñoz Martínez, André Bared Kabangu Bakambay, Venuri Perera, iSaAc Espinoza Hidrobo, Amanda Piña

    With and by
    Ángela Muñoz Martínez, Zora Snake, Venuri Perera, iSaAc Espinoza Hidrobo, Amanda Piña

    Dramaturgy
    Nicole Haitzinger

    Integral design
    Michel Jimenez

    Stage set and scenography
    Forêt Asiatique (1921) by Albert Dubosq, reproduced by Decoratelier Jozef Wouters as part of Amanda Piña’s contribution to Infini #18 (2022)

    Technical direction
    Marcelo Daza

    Light
    Emilio Cordero Checa

    Music
    Ángela Muñoz Martínez, Zevra

    Sound design
    Dominik Traun

    Costumes
    Federico Protto

  • Director’s assistant
    Pierre-Louis Kerbart

    Production
    Amanda Piña/Fortuna

    Coproduction
    Kunstenfestivaldesarts, Holland Festival, Festival d’Automne à Paris, Tanzquartier Wien, PACT Zollverein, DDD-Festival Dias da Dança, La Bâtie-Festival de Genève, NEXT Festival

    Distribution
    Something Great

    Supported by
    De Singel, KWP Kunstenwerkplaats, wpZimmer

    Thanks to
    Stadsschouwburg Kortrijk, Showtex, Bruno Forment, FWF funded project Border Dancing Across Time P-31958, Christina Gillinger-Correa Vivar (archival research), Rolando Vázquez (decolonial theory/interview)

    Funded by the
    Cultural Department of the City of Vienna, Arts and Culture Division of the Federal Chancellery of Austria

    Performances in Brussels with the support of
    Österreichisches Kulturforum in Brussels

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