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Sinopse

DDD 2025 at TMP

Eisa Jocson & Venuri Perera

Magic Maids

May

2025

national premiere

Sat
3
Sun
4

Sinopse

Both archetypal female figures, “the witch” and “the maid”, are two poles of the same misogynistic matrix: despised and feared at the same time. In a solemn and sly incantation, Magic Maids demystifies the many ways in which the history of European witch-hunts intertwines with global networks of care work and the exploitation of the colonised female body. Eisa Jocson and Venuri Perera have collected unheard-of stories of care workers in the Philippines, Sri Lanka and Indonesia, the echoes of which now haunt their bodies. Magic Maids is both a ritual and a dance performance: by embodying the ambivalent female figures, the dancers pledge to fighting against the invisibility of care work and structures that despise women. In an evening of dance, magic and struggle, the broom no longer symbolises oppression, but feminist resistance. — Eisa Jocson & Venuri Perera

story

feminine

resistance

ritual

© Jörg Baumann

© Jörg Baumann

© Jörg Baumann

© Jörg Baumann

Info sobre horário e bilhetes

Sat

3.05

19:30

Sun

4.05

15:00

Campo AlegreCafé-Teatro

tickets

Aditional info

  • Price 
    9€
  • Duration 
    1h20
  • Age rating 
    14+
  • Additional information
    Text in English

Acessibilidades do espetáculo

Accessible to wheelchair users
Text
No subtitling in Portuguese

Author's bio text

Eisa Jocson is a visual artist and choreographer based in Manila. She came to contemporary dance through pole dance. In her pieces, she explores the entanglements of ‘gender’, ‘affective labour’, ‘migration’ and ‘corporeality’. She has explored the economies of pole dancing, appropriated macho dancing – a form of hypermasculine erotic dance practiced primarily in Filipino gay bars – and examined the expressive and movement vocabulary of Disney characters such as Snow White, a role denied to Filipino performers in amusement parks. She regularly presents her pieces at renowned theatres and international festivals in Asia and Europe, such as Tanz im August, TPAM Yokohama, Zu?rcher Theaterspektakel and Frankfurter Positionen. In 2018 she received the Culture Centre of the Philippines 13 Artists Award and in 2019 the Hugo Boos Asia Art Award.

Venuri Perera is a choreographer, performance artist, curator and educator from Colombo. Exploring the power dynamics of visibility and opacity, she attempts to destabilise how we perceive the ‘other.’ Her solo and collaborative creations deal with violent nationalism, patriarchy, immigration, colonial heritage and class and were invited to festivals/biennales/symposia across Europe, South and East Asia, Middle East and Africa since 2008. She has closely collaborated with choreographers Geumhyung Jeong (SK) (Theatre Spektakel/ Monsoon Australia) Natsuko Tezuka (JP) (Kyoto Experiment/SIFA Singapore) Venuri conceived and curated the projects of the Colombo Dance Platform (2015-2020, Goethe-Institut) and is committed to continue creating support networks for the independent dance scene in Sri Lanka. A graduate of DAS Theatre, she is currently based in Amsterdam. 

Ficha Técnica

  • Concept, creation, dramaturgy and performance
    Eisa Jocson, Venuri Perera

    Sound design
    Soraya Bonaventure

    Lighting design
    Ariana Battaglia

    Artistic advice
    Rasa Alksnyte, Tang Fu Kuen

    Text advice
    Ruhanie Perera

    Spiritual advice
    Nenet Ocson Babaylan-Vaigaland

    Creative presence
    Arco Renz

    In-house dramaturgical support
    Anna Wagner, Alexandra Hennig

    Production advice
    Sandro Lunin

    Technical production
    Seok Hui Yap

    Producers
    Katja Armknecht, Anne Kleiner

    Production managers
    Greta Katharina Klein, Paula Elena Noack

    Produced by
    Künstler*innenhaus Mousonturm

  • Co-produced by
    Frascati Producties (supported by Ammodo), Tanzquartier Wien, HAU Hebbel am Ufer, SPRING Performing Arts Festival, Festival Theaterformen, DDD - Festival Dias da Dança, Kampnagel, Arsenic - Centre d’art scénique contemporain, La briqueterie CDCN du Val-de-Marne, Points Communs - nouvelle scène nationale, Cergy-Pontoise / Val d’Oise, Maillon, Théâtre de Strasbourg – Scène européenne, Esplanade – Theatres on the Bay

    Residencies
    Kaserne Basel, Puón Institute Philippines, Goethe-Institut Sri Lanka, Dance Nucleus in collaboration with Studio Plesungan as part of ARTEFACT Creative Residency and Colomboscope Interdisciplinarity Arts Festival 2024

    Funded as part of the Alliance of International Production Houses by the Federal Government Commissioner for Culture and Media and the Hessian Ministry of Science and Research, Art and Culture.

    With gratitude to the wonderful and wise working women who generously shared their knowledge and stories with us.

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