Emmanuel Eggermont / L'Anthracite

All Over Nymphéas is inspired by water lilies, an idyllic vision painted many times by Claude Monet in which he declines, in response to the atrocities of war, the only motif of the basin of his garden in Giverny. Transferring this approach to our troubled times, this piece relies on the notion of "motif" to shape the architecture of a fragmented landscape where metamorphosis is king. Like Monet's water lilies, All Over Nymphéas is a graphic and hypnotic garden whose expansion of motifs reveals the effervescence of our deep motivations. This piece is dedicated to Raimund Hoghe. — Emmanuel Eggermont

Emmanuel Eggermont dedicates this piece to Raimund Hoghe.


After training at the CNDC in Angers, Emmanuel Eggermont made his debut as a dancer in Madrid and then in South Korea. His collaboration with Raimund Hoghe marked his work by instilling in him a taste for the essence of things, sincerity on set and humanity. Following a research residency at L'L (Brussels) where he questions his practice, Emmanuel Eggermont develops his projects within L'Anthracite (Lille). In his pieces, images with expressionist resonances rub shoulders with abstract dance and performative tones. Emmanuel Eggermont is associated with the CCN of Tours.