FITEI 2025 at TMP
Marina Otero
Kill Me
May
2025
National Premiere
Sat
17
Sinopse
Kill me (2024) is the continuation of Love me (2022) and Fuck me (2020). It is part of the Remember to live project, in which I intend to present different versions of plays until the day I die. Going into the cliché of the midlife crisis, I began to film everything I did: with my heart open 24 hours a day, I recorded everything. Until one day I collapsed, got a psychiatric diagnosis and decided to make it my next work. I summoned four dancers with mental disorders and Nijinsky to create a spectacle about the madness for love. But we are going to say that the topic is mental health to enter within the inclusive agenda of the art market. Because that is my curse, having to create shows that sell and thus stay alive in the world (of theater). — Marina Otero
Aditional info
- Price
12€
-
Duration
1h30
- Age rating
16+
- Additional information
With subtitles in English
This performance contains references to suicide.
Acessibilidades do espetáculo
Accessible to wheelchair users
Text
Strobe or intense lights
Author's bio text
Ficha Técnica
- Text and direction
Marina Otero
With
Ana Cotoré, Josefina Gorostiza, Natalia Lopéz Godoy, Myriam Henne-Adda, Marina Otero, Tomás Pozzi
Live music
Myriam Henne-Adda
Assistant director
Lucrecia Pierpaoli
Light design and space
Victor Longás Vicente, David Seldes
Sound design
Antonio Navarro
Costume design
Andy Piffer
Costumes
Guadalupe Blanco Galé
Technical direction and light on tour
Victor Longás Vicente
Dramaturgist
Martín Flores Cárdenas
Photography
Sofia Alazraki
Video
Florencia de Mugica
General and executive production
Mariano de Mendonça
Production
Marcia Rivas
Assistant production
Kysy Fischer
- Tour
Otto Productions (Nicolas Roux, Lucila Piffer), Tecuatro (Jonathan Zak, Maxime Seugé), PTC Teatro (Olvido Orovio)
Co-production
Teatros del Canal, HAU Hebbel am Ufer – Cité européenne du théâtre, Domaine d’O, Montpellier/ PCM2024, Théâtre du Rond-Point – Célestins, Théâtre de Lyon, FITEI Festival Internacional de Teatro de Expressão Ibérica
With the support of the artistic residency of
Casa Velázquez du Ministère d’Education Supérieur, FITLO Festival Iberoamericano de Teatro de La Rioja, MAMBA: Museo de Arte Moderno de Buenos Aires: El Borde de si mismo
This work has been selected and has benefited from the assistance of
IBERESCENA 2024
Acknowledgements
Jorge Tesone, María Velasco, Andres Manrique, Juan Ignacio Bustos, Hugo Lacroix, Cala Zavaleta, Toma Café, Santiago Rigoni, Patricia Alda, Augusto Chiappe, Juanfra López Bubica, Fred Raposo, Matías Rebossio, Miguel Valdivieso, Cristian Vega, Ruslan Alastair Silva
Performers audition
Sabine Calleja Diaz, Melinda Espinoza, Paula Gonzalez Delgado, Lila Izquierdo, Laura Jabois Rodriguez, Clara Pampyn Boyer, Javiera Paz, Julia Pedrón Nicolau, María Pizarro Perez, Camila Puelma Wright, Blanca Rizzo, Elsa Tagawa
