Três Cores: Azul + Três Cores: Vermelho

19:00 — Three Colors: Blue (1993)
by Krzysztof Kieslowski

First film of the Trilogy of Three Colors, which enshrined the Polish Krzysztof Kieślowski in the international cinephile imagination, Blue, Golden Lion in Venice among many other awards, takes us through the inner journey of Julie (Juliette Binoche), and her attempt to recover , after an irreparable loss. Among a beautiful profusion of blues, which give us several clues to understanding, some true and some false, the faces, the looks and the small gestures or accidents, Kieślowski manages to “film” the impalpable, the restlessness, the intimate, to take us to the territory of souls.

21:30 — Three Colors: Red (1994)
by Krzysztof Kieslowski

Third film in the Trilogy of Three Colors, and the last by the Polish filmmaker, who would die two years later, in 1996, Red is a masterpiece in which Kieślowski expands all his great mastery. The tones are now predominantly red (traffic lights, the car, Valentine's parka, the paper that wraps a bottle…), the intrigues and motifs intertwine (we would say that Hitchcock is prowling around). Valentine (Irène Jacob, as admirable as we would never see again), a young model and student at the University of Geneva, runs over a dog, which is injured. On the collar is the address of the owner, a retired judge, lonely and misanthropic (Trintignant, a tutelary actor in French cinema, also here in one of his greatest performances), who spends his time spying on his neighbors' telephone conversations. Zbigniev Preisner's incomparable music exposes the fragility and helplessness of these approaching beings. A filmmaker at his peak, telling us the world.