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Sinopse

Lia Rodrigues

Borda

June

2026

Sat
6
Sun
7

Sinopse

In Portuguese the word “borda” is derived from the verb “bordar”, embroider, which means to enrich, to decorate, to enhance, to elaborate. It stands next to the other meaning of this word: border, fringe, boundary, verge, margin, threshold, limit, barrier, frontier. There are geographic and political borders, sometimes represented by walls, barbed wire, hedges, check points and gates. It can be an in-between place for no one and for everyone, for those who arrive, those who leave and those who linger. Here and there, the beginning and the end, somewhere and nowhere. Who is allowed to cross? Who stays? Who will be kept out? Who belongs and who doesn’t? Who has the right to exist? Territories can also be demarcated by nomadic movements and a mixture of elements, physical and symbolic: specific cultural identities, scents, sounds, language, rituals, distinct survival strategies and knowledge, ways of managing forests and plants. How can we work from a reality intertwined with visible and invisible lines, that mark the boundaries between fear and hope, between noise and quietness, flood and fire. How can we bring with us the land of our visions, desires, memories and futures? Perhaps by patiently and laboriously weaving together a porous place of fluid alterity, an embroidery where margins move, float and dance. — Lia Rodrigues 


borders

otherness

belongingness

porosity

Scene photograph in color. Performers in colorful costumes, lined up and standing, interspersed, hold the heads of other performers between them. Their facial expressions are intense and expressive.

© Sammi Landweer

Color stage photograph. Performers in light-colored costumes move large transparent plastic sheets, creating fluid shapes in space. Two performers in the center kiss each other.
Color stage photograph. Two standing performers in blue-toned costumes interlock their arms while executing a synchronized movement.
Color stage photograph. A group of performers in colorful costumes form a composition, overlapping bodies and expressive gestures. Behind the group, fabrics and plastics are scattered on the floor.
Scene photograph in color. The group of performers, dressed in voluminous white fabrics, forms a single composition of different movements and individual facial expressions.

© Sammi Landweer

Info sobre horário e bilhetes

Sat

6.06

19:30

Accessible to wheelchair users

Sun

7.06

19:30

Accessible to wheelchair users

RivoliGrand Auditorium

Aditional info

  • Price 
    12€
  • Duration 
    1h10
  • Age rating 
    14+

Acessibilidades do espetáculo

Accessible to wheelchair users
Accessible to wheelchair users
No text

Author's bio text

Lia Rodrigues was born in 1956 in São Paulo. She studied classical Ballet and History at the São Paulo University (USP). In the 70s, Lia was involved in the contemporary dance movement and was in the Maguy Marin Dance Company from 1980 to 1982. When she returned to Brazil, she created the Lia Rodrigues Companhia de Danças, in 1990, in Rio de Janeiro, with activities all year round, dance laboratories, creations, classes and rehearsals. In 1992, she created and run for 14 years the Panorama Festival, the most important festival in Rio de Janeiro. Since 2004, her company has been involved in developing educational and artistic activities in the Maré Favela in Rio de Janeiro, in partnership with the nongovernmental organisation Redes de Desenvolvimento da Maré. In 2009 she opened Centro de Artes da Maré and, in 2011, the Escola Livre de Danças da Maré. During 40 years of professional and artistic life, the choreographer Lia Rodrigues has dedicated herself not only to training and artistic creation with touring and commissioning from the major capitals in the world but also to Education with workshops and seminars all over the world. Mixing militancy and utopias, she believes in the synergy between art and social processes. In 2022, she was awarded by the French government with the medal of Officier de l’Ordre des Arts et des Lettres. She created Formas Breves (2002), Incarnat (2005), Chantiers Poétiques (2008), Pororoca (2009), Piracema (2011), Pindorama (2013) and Para que o céu não caia (2016), Fúria (2018) and Encantado (2021). 

Ficha Técnica

  • Created by 
    Lia Rodrigues
     

    Danced and created in collaboration with 
    Leonardo Nunes, Valentina Fittipaldi, Andrey da Silva, David Abreu, Raquel Alexandre, Daline Ribeiro, João Alves, Cayo Almeida, Vitor de Abreu 

    Creation assistant 
    Amalia Lima
     

    Dramaturgy 
    Silvia Soter 

    Artistic collaboration and images 
    Sammi Landweer 

    Lighting design 
    Nicolas Boudier 

    Stage management and lighting 
    Magali Foubert 

    Soundtrack 
    Miguel Bevilacqua from excerpts of a recording made in 1938 in northern Brazil by the Folklore Research Mission conceived by writer and intellectual Mario de Andrade and excerpts from the public domain music Amor Amor Amor, part of the repertoire of Cavalo Marinho, a Brazilian dance performed by Luiz Paixão. 

  • Mixing and mastering 
    Ronaldo Gonçalves 

    Administration, booking and production management 
    Colette de Turville 

    Head of booking and production 
    Astrid Toledo 

    Production and manager Brazil 
    Gabi Gonçalves / Corpo Rastreado 

    Secretary and administration Brazil 
    Gloria Laureano 

    Logistical support Centro de Artes da Maré 
    Sendy Silva 

    Teachers 
    Amalia Lima, Leonardo Nunes, Valentina Fittipaldi, Andrey Silva 

    Costumes 
    Lia Rodrigues Companhia de Danças 

    Seamstress 
    Antonia Jardilino De Paiva
     

    Acknowledgements 
    Thérèse Barbanel, Corpo Rastreado, Inês Assumpção, Luiz Assumpção, Diana Nassif, Centro de Artes da Maré team, Jacques Segueilla

    Dedicated to Max Nassif Earp 

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