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Sinopse

Interpretation in Portuguese Sign Language

Marco Martins

SELVAGEM

April

2022

Fri
1
Sat
2

Sinopse

Marco Martins proposes in SELVAGEM [WILD] a reflection on the use of the mask in ritualistic practices that, since time immemorial, collectively mark crucial moments in Europe, such as the equinoxes and solstices, integrating characters such as the Wild Man, the Bear, the Goat or the Devil. We are increasingly a society of masks that hide behind a virtual world. What is the current meaning of mask? How can living with the sanitary mask transform each person's activity, activism and identity? We live in a daily life full of avatars, caricatures, memes, applications that allow you to transform the face and body and various types of filters capable of blurring the line between faces and masks. Based on the investigation of the ancestral meaning of the mask, WILD will map its value as an identity possibility, as well as the complexity inherent to the multiplication and intersection of identities.


Marco Martins was born in Lisbon in 1972. He is currently an inescapable artist of the artistic panorama Portuguese, with an extensive work that crosses several areas, from cinema to the visual arts, through the theater. He founded the Arena Ensemble in 2007 with Beatriz Batarda, and has since been its artistic director.
His work has received great recognition, reflecting the intersection of performative languages, collaboration with non-actors, as well as several community projects with a strong choreographic component.


Co-presentation with: 
Culturgest – Fundação Caixa Geral de Depósitos, on March 25th to 27th, 2022.

© Bruno Simão/TMP

© Bruno Simão/TMP

© Bruno Simão/TMP

© Bruno Simão/TMP

© Bruno Simão/TMP

© DR

Info sobre horário e bilhetes

Fri

1.04

Sat

2.04

Campo AlegreAuditorium

tickets

Aditional info

  • Price 9€
    Duration 1h45
    Age recommendation 14+
    Interpretation in Portuguese Sign Language April 1st session

Author's bio text

Ficha Técnica

  • Director Marco Martins
    Original idea Renzo Barsotti
    Text and dramaturgy Marco Martins, Patrícia Portela based on the cast’s contributions
    Collaboration and dramaturgical assistance Alexander Gerner, Charles Fréger, Giovanni Carroni, Rita Cabaço, Vânia Rovisco 
    With Andrea Loi, Giuseppe Carai, João Paulo Alves, Luís Meneses, Marco Abbà, Rafael Costa, Riccardo Spanu, Rubens Ortu
    Music Miguel Abras
    Set design Fernando Brízio
    Project, building and assembly ArtWorks
    Lighting design Nuno Meira
    Lighting operation Ricardo Campos
    Sound design and operation Sérgio Milhano
    Movement Vânia Rovisco
    Assistant director Rita Quelhas
    Research and documentation Zé Pires
    Rehearsal assistants Giovanni Carroni, Rita Cabaço, Vânia Rovisco
    Consultant Doina Isfanioni
    Images Andreas Bentzon, Benjamim Pereira / Instituto dos Museus e da Conservação, I.P
    Arena Ensemble management Marta Delgado Martins
    Production assistance Mafalda Teles
    Production support (Bragança) Luís Manuel Costa
    Project coordination and production direction Mariana Brandão
    Support Artopia
    Collaboration Centro de Filosofia das Ciências da Universidade de Lisboa
    With the financial support of República Portuguesa - Ministério da Cultura / Direcção Geral das Artes
    Acknowledgments Alessio Masones, António Câmara Manuel, Fernando Tiza, Júlia Almeida and Miguel Rodrigues, Kimberley Ribeiro, Maria Rotar, Teatrul Excelsior, Maurizio Masones, Octávio Marrão, Sòtziu Tenore Nugoresu
    Co-production Teatro Municipal do Porto, Fundação Caixa Geral de Depósitos / Culturgest, Teatro Municipal de Bragança, Rota Clandestina / Câmara Municipal de Setúbal, Teatro di Sardegna, Arena Ensemble

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