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Sinopse

Né Barros

Zonas de Sombra

October

2026

Premiere

Thu
1
Fri
2

Sinopse

The performance traverses and is traversed by shadows. The polysemy of the term opens up a field of exploration into various associations, whether psychological or metaphysical. But, just as in seismology, where a given surface of the earth does not receive seismic waves directly, the shadow evokes presence indirectly, casting us into the realm of the invisible. Throughout the piece, bodies are shadows and cast shadows. Rather than revealing, they conceal profound meanings. Movement, speech, and music come together to construct a sensitive space through which images pass, whether by subtraction or by revelation. The performance is like a cinematic projection of images of the world and of bodies as traces of light and darkness. — Né Barros 

absence

visibility

opacity

duplication

A blurred black-and-white image showing five human silhouettes scattered across the space.

© Delfim Bessa

Info sobre horário e bilhetes

Thu

1.10

19:30

Fri

2.10

19:30

RivoliGrand Auditorium

tickets

Aditional info

  • Price 
    9€
  • Duration 
    1h
  • Age rating 
    To be classified
  • Aditional information
    Spoken in Portuguese

Acessibilidades do espetáculo

Accessible to wheelchair users
Accessible to wheelchair users

Author's bio text

Né Barros is a choreographer and researcher at the Institute of Philosophy, University of Porto, combining artistic creation with research. She trained in classical dance with Ruth Howner and in contemporary dance at Smith College (USA). She holds a PhD in dance from the University of Lisbon, a master’s degree from the Laban Centre, and undertook postdoctoral research at IF-UP; she also studied theatre at ESAP. As a choreographer, she has collaborated with visual artists, photographers, musicians and theatre directors, as well as with the National Ballet Company (where she received an award), Ballet Gulbenkian and Aura Dance Company. She has published books and articles such as Coreografias. Ensaios sobre Dança e Filosofia (no prelo) and Performances e Pós-Fenomenologia, Da Materialidade na Dança e Dança: Corpo e Casa. She is editor and co-director of the series Estética, Política e Arte e Máquinas de Guerra (FLUP). She is a visiting lecturer at ESAP and co-founder of balleteatro, where she also teaches, and of the Family Film Project. 

Ficha Técnica

  • Direction and choreography
    Né Barros

    Music
    Alexandre Soares

    Texts
    Eugénia Vilela

    Lighting design
    Fred Rompante

    Assistance and costumes
    Flávio Rodrigues

  • Performed by
    Afonso Cunha, Bruno Senune, Deeogo Oliveira, Clara Saleiro (flautista), Guilherme Xará, Joana Africano, Rodrigo Loureiro, Vanessa Cunha

    Consultancy
    Roberto Neulichedl

    Produced by
    Celine Marie

    Co-produced by
    Teatro Municipal do Porto, balleteatro

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