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Sinopse
Writing about my work is like writing about the deepest part of my Being. That's why I say, "I'm not good with words." Not when I want to show them the depths of my heart. Translate it. I feel strange. I decided to call the play Versa-vice (vice versa of vice versa) because when I make a play I say: "The piece is about this and that...". But it could also be about its opposite. Its reflection. Or about anything else that is there, for a second, while you see, hear, dance, remember... This second is as valid as the entire creation process. It may even have more strength, more impact within us. A second glimpse. A second that makes us change direction, or that causes us something else, even if we do not realize it. — Tânia Carvalho
Tânia Carvalho was born in Viana do Castelo, in 1976, and lives in Lisbon. As a choreographer, she has a career of more than twenty years. Tânia has had a regular presence in theatres, festivals and artistic residencies, both in the national and international contexts. Among her musical projects stand out Madmud, Idiolecto and dubloc barulin. In 2021, she started the Papillons d'éternité project with Matthieu Erhlacher. She received the Programa Jovens Criadores [Young Creators Program] 2000 award, with Inicialmente Previsto, and was also awarded the Best Choreography Award from the Sociedade Portuguesa de Autores [Portuguese Society of Authors] with Icosahedron (2012) and onironauta (2021).
Tânia Carvalho was born in Viana do Castelo, in 1976, and lives in Lisbon. As a choreographer, she has a career of more than twenty years. Tânia has had a regular presence in theatres, festivals and artistic residencies, both in the national and international contexts. Among her musical projects stand out Madmud, Idiolecto and dubloc barulin. In 2021, she started the Papillons d'éternité project with Matthieu Erhlacher. She received the Programa Jovens Criadores [Young Creators Program] 2000 award, with Inicialmente Previsto, and was also awarded the Best Choreography Award from the Sociedade Portuguesa de Autores [Portuguese Society of Authors] with Icosahedron (2012) and onironauta (2021).
resonance
collective
mythologies
Aditional info
- Price 12€
Duration To be defined
Age rating To be defined
Author's bio text
Ficha Técnica
- Choreography and artistic direction Tânia Carvalho
Performed by Andriucha, Beatriz Marques Dias, Bruno Senune, Catarina Carvalho, Cláudio Vieira, Filipe Baracho, Luís Guerra, Matthieu Ehrlacher, Nina Botkay
Voice Tânia Carvalho
Poem Fernando Pessoa
Lighting and technical direction Anatol Waschke
Audio production and sound design Juan Mesquita
Music Tânia Carvalho
Costumes Cláudio Vieira, Tânia Carvalho
Seamstress Rósário Balbi
Executive direction Vítor Alves Brotas
Administration and financing Janine Lages
Communication and press relations Maria João Bilro
Stage photography Rui Palma
Vídeo Christo Roussev
Booking Colette de Turville
Logistics Leonardo Garibaldi
International relations Colette de Turville
Production Agência 25
Co-production residencies Culturgest, Le Gymnase CDCN Roubaix – Hauts-de-France, O Espaço do Tempo
Supported by República Portuguesa – Cultura | DGARTES 2021-22 (através do Estúdio 25), Câmara Municipal de Lisboa - Polo Cultural Gaivotas | Boavista, Casa-Atelier - Fundação Arpad Szenes - Vieira da Silva, Forum Dança, Loja das Maquetas
Acknowledgments Chá de Agulhas (Susana Oliveira, Maria Manuela da Silva Alves)
Partnerships Le Gymnase CDCN Roubaix – Hauts-de-France, Teatro Académico de Gil Vicente / Convento de São Francisco / Abril Dança em Coimbra, Teatro Viriato
Co-produced by DDD – Festival Dias da Dança, Culturgest, Estúdio 25, Julidans Amsterdam, La Briqueterie - CDCN du Val-de-Marne / Biennale du Val-de-Marne, Théâtre Jacques Carat Cachan, Theatro Circo







